465 designating the Oxford EIA code, 2 designating the year 1962, and 17 designating the 17th week of ’62. It had a incredible tactile playing feel and was the most natural sounding amp I have played. To give an example, a typical Oxford speaker from the ’60s will look something like: 465-217. This 5E7 had very responsive tone controls and both channels had something different to offer (even though they look the same on the schematic). With its presence control and the three 10 inch speakers, you will get a nice clean sound even at louder volumes. #Tweed bandmaster 5e7 code#The EIA code will consist of 3 numbers followed by a date code of 3 or 4 numbers designating the year and the week. The Tweed Bandmaster 5E7 is a great amplifier if you are looking for a little punch, power and clean headroom but still want to keep the spirit of the legendary Tweed sound. In almost every Fender amplifier there are several EIA (manufacturer) codes followed by a date code, typically found on the speaker(s), transformer(s), tubes, caps, and occasionally pots. Narrow Panel Tweed Bandmaster (original size) 3×10 Guitar 5E7 Amplifier Combo Speaker Cabinet. Mid ’70s – early ’80s – Amplifiers are dated much the same way as Fender guitars from the same era:Īll Fender amplifiers manufactured from 1990 – present include a date code printed on the quality assurance (QA) sticker on the back of the amp chassis, and are dated the by the first letter as the year and the second letter as the month.ĪLL other Fender Amplifiers can be dated by the components inside: Use our extensive knowledge, experience and customer feedbackto select re-tube packages that will work great in your tube amp. We’ve been supplying tubes for over 20 years. These vacuum tubes are known to get the job done on a budget. The tweed Bandmaster is one of the holy grail amps among. This is a great 'bang for the buck'retube set for the Fender Tweed Bandmaster (5E7) and Super (5F4) tube amp. Leo re-used this design over and over for a good reason, and the Bandmaster is pretty close to tweed perfection delivering warmth, punch, beautiful cleans, and a satisfying grind when cranked up. The first letter designates the year and the second letter designates the month. The 5E7 Bandmaster combines this circuit with an unusual 3 x 10 speaker configuration. Then relic'd if required.1951-1967 – Tube chart on the inside of the amp is stamped with two letters (A – Q): Cabinets are now available in finger jointed pine with genuine cloth tweed covering with shellac coating. The Tweed Bandmaster 5E7 is a great amplifier if you are looking for a little punch, power and clean headroom but still want to keep the spirit of the. This amplifier was made in the 50s, and was available as a 3x10. Hand-wired t’out point to point with vintage style cotton sheath wiring for optimum signal transfer, with components laid out on fibreboards.The techniques used capture and faithfully create the beautiful vintage tone associated with vintage American amps. Hi there, up for sale is something very special, a Fender Bandmaster 5E7 3x10 Tweed Combo Amp from August 1958. The Ceriatone 5E7 amplifier is based on the tweed-covered amplifier of the same designation. Features are Normal & Bright channels with high & low inputs on each, separate volume controls, as well as shared bass, treble, and presence controls. #Tweed bandmaster 5e7 series#Modeled on the 57 Bandmaster 5E7, this Lucas Miles Vintage Series amplifier faithfully replicates the sound of another of Leo Fender’s masterpieces. The 5E7 might not have been the most well known of the tweeds amps, but it’s definitely right at home in any situation with a sweet tone that’s still totally tweed.
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